reim lunettes (
jokesonthem) wrote in
sirenspull_logs2012-09-07 05:07 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
a fun and happy afternoon
Who: Reim Lunettes (pro tank driver), Sharon Rainsworth (expert dainty lady), with later appearances by scared little dolls girls and Xerxes Break
When: Sept. 7, a little before the toys turn back into toys.
Where: Baseball diamond!
Summary: Reim picks up Sharon in a tank and then weird stuff with dolls happens.
Warnings: Eventually Emily might be terrifying.
There are things, since the impromptu kidnapping, that Reim would not have imagined he would have to deal with again. One of them is getting back into the Big Metal Death Machine (née toy tank) Break had picked him up in and left on the Phantomhive-Trancy lawn, but a new arrival called him out of the blue and he feels a passionate need to get to her very quickly.
The tank may be slow, but it's faster than he could hope to be with the largest of his wounds from home still plaguing him, and he's seen what's happening in the city; to his lament, he's going to need something that can crush other things with little pretense. Which is why he fumbles his way into the tank, and--
lurches back and forth for twenty minutes while he relearns which levers make it move properly. His driving training has been limited, and he isn't going to drag Break out of his sad pile of blankets to put him back in this thing. He suspects the three of them might make the trip back a little cramped, anyway.
The point being, while it takes a laughable amount of time, Reim (and tank) eventually rumble into the baseball diamond (he is very mindful of pedestrians and only sacrifices two trash bins!) and stop, some distance away from where he can see Sharon in the viewfinder.
He climbs out of the top without falling in the dirt and hurries over to her, calling out as he approaches, "Sharon!"
When: Sept. 7, a little before the toys turn back into toys.
Where: Baseball diamond!
Summary: Reim picks up Sharon in a tank and then weird stuff with dolls happens.
Warnings: Eventually Emily might be terrifying.
There are things, since the impromptu kidnapping, that Reim would not have imagined he would have to deal with again. One of them is getting back into the Big Metal Death Machine (née toy tank) Break had picked him up in and left on the Phantomhive-Trancy lawn, but a new arrival called him out of the blue and he feels a passionate need to get to her very quickly.
The tank may be slow, but it's faster than he could hope to be with the largest of his wounds from home still plaguing him, and he's seen what's happening in the city; to his lament, he's going to need something that can crush other things with little pretense. Which is why he fumbles his way into the tank, and--
lurches back and forth for twenty minutes while he relearns which levers make it move properly. His driving training has been limited, and he isn't going to drag Break out of his sad pile of blankets to put him back in this thing. He suspects the three of them might make the trip back a little cramped, anyway.
The point being, while it takes a laughable amount of time, Reim (and tank) eventually rumble into the baseball diamond (he is very mindful of pedestrians and only sacrifices two trash bins!) and stop, some distance away from where he can see Sharon in the viewfinder.
He climbs out of the top without falling in the dirt and hurries over to her, calling out as he approaches, "Sharon!"
done!
Ahahahahahha! Tell me another!
no subject
when--
wow, that was just rude. Break receives this particular indignant yelp:]
I KNOW HOW TO SHOOT!
[He might not be proud of himself but, OW, HIS INSECURITIES.
why this]
no subject
Sigh.]
Xerxes, you shouldn't pick on Reim.
no subject
Y-you shot--hahahaha!
[ Children, unfortunately, were always particularly vulnerable to Chains, and often became illegal contractors. Killing them is part of Pandora training. But the idea of Desk Worker Extraordinaire Reim actually pulling a gun and... ]
You shot... my Emily...
Ha--! Hahaha!
[ He writhes on the ground. Is he laughing or sobbing at this point, it's hard to tell. Somebody give him candy? ]
no subject
I did-!
[His affronted rush is fading quickly. She was crying when they found her, and he... for this idiot, rolling on the floor--
He does kick Break then, in the leg, but only to shut him up; his heart just isn't in it!]
Check for yourself. And get up!
no subject
Sharon just takes Break's spot on the windowsill. She needs a sit.]
I'm sorry we couldn't find another way to stop her.
no subject
[ Reim's kick silences him. For a moment, he's just lying on the ground, breathing hard. ]
It's fine. It is. She was an illegal contractor, you were just... doing your jobs.
[ Break grabs at Reim's leg (the one that had kicked him) and yanks on it. In this moment, it is so easy to pretend that Reim is still alive. ]
I'm glad she didn't hurt you, milady.
no subject
That might not. Go over well. "Just doing your jobs" sure isn't going over well for him, ha ha. At the yank he hops in place vaguely to stay upright; he's even too dismayed to yelp. (It does, however, look very silly.)]
Let go-!
no subject
Milady, milady, milady. Hmph! Sharon joins in with the casual kicking, her toes prodding at the back of Break's head. Does he need something so blatantly childish to stop being a stuffy sulky idiot?]
That's right. And it's unprofessional to sulk about a job, Xerxes.
no subject
However, in its place, shame is gathering. Time to try to shrug it off. ]
Ha! Ha! Ha! The only person sulking here is Mister Reim~!
[ He doesn't have to see your face, Reim, to know it's frowning. He puts headless!Emily on his shoulder and beams. ]
How about some tea, milady? Tea and cake!
[ He offers Sharon his arm. ]
no subject
I'm not sulking.
[and puts his hand right on Break's face, to push him away, maturely.]
no subject
And she is still a complete mess right now but it would be best not to bring that topic back up since Break has at least started to act better. She will just have to be reasonably embarrassed if they run into Ciel later. Sharon steps forward and links her arm with Break. The hold is sturdy. Oh yes, she is going to be the one leading them around in a bit.
It's his punishmentShe doesn't want Break walking into any door frames after all.]Tea sounds wonderful. Reim, will you be joining us?
no subject
As for Sharon, that's... quite the grip she's got on him. He'd been thinking in terms of slipping away, under the nearest tablecloth; and then, back to the solace of his bed and his blankets. Grievous embarrassment is taking hold: at being powerless, and being caught out weeping, and and getting an earful from both of them... ]
Y-you know, I should go on ahead and speak to the servants. Tell them to put the tea on, get your room ready and so forth.
[ An experimental tug on Sharon's arm, to see if she'll let him go. ]
no subject
That said, he does not really feel like tea right now. But to passive-aggressively harass Break, sure. Reim puts a hand on his shoulder, in a "friendly" and "encouraging" fashion. That is to say, "don't even think about it."]
Now, now. Are you going to refuse the lady after such a long day?
no subject
Sharon tugs happily on Break's arm. She will wander this house on her own if no one is giving her instructions. The tea has to be somewhere!]
I do love company and Reim always has important work to be getting to.
[Also he looks very angry and might not be the best company right now. Not that a crying good for nothing is any better. Oh well.]
no subject
Sharon is being particularly sweet right now, which means when the fan hits the little shit... ]
Yes, milady.
[ As if this weren't bad enough, with Sharon and Reim hanging onto him from either side, Break can feel a full-on blush rising in his cheeks. ]
no subject
And cheerfully (as cheerful as acid), to Sharon:]
I'll ask someone to prepare a room. [what if they actually asked the little lord's permission... nah] Xerxes will show you where tea is taken.
[He will catch up, but he needs to micromanage some room prep before his brain explodes.]
no subject
Thank you, Reim. Let's go, Xerxes.
[Tug tug. Tell her where to go.]
no subject
Okay. Okay. He'll go with Sharon, even though her "cheerful beaming" contains its own terrors. ]
Yes, milady. The drawing room is just 'round the corner and down the stairs.
[ This tugging feels awfully insistent! He's going, he's going. ]
no subject
Don't wreck anything in his absence, please and thank you.]
no subject
Wonderful.
[And they're off!]
1/2
Er, right. Well. Er.
I think you'll be quite comfortable here. The master of the house is...
2/2
...precisely the sort of young boy milady prefers, ohohohoho! ♥